
Not just because of its new take on a beloved tale I used to reenact as a little girl, its witty language or heroic protagonists. I can barely put into words how much I adore ‘The Sleeper and the Spindle’. With this begins an adventure of three brave dwarfs and a fierce, bad ass queen trying to save the kingdom from that fearful sleeping curse, encountering all sorts of dangers along their way. “So, bowl of cold water poured on the face and a cry of ‘Wakey! Wakey!’?” “The usual method,” said the pot-girl, and she blushed.

“Wake her how?” asked the middle-sized dwarf, hand still clutching his rock, for he thought in essentials. Now the curse is spreading further and further, leaving a trail of people and animals fallen asleep all over the towns and fields, not being able to wake until the princess is freed from her curse.

There are three dwarfs, begging her for help, because there’s a castle not far away, where a young princess lies asleep due to a cursed spindle that pricked her finger. There’s a beautiful raven haired queen, preparing for her wedding day. Well, Neil Gaiman picks up the golden thread of that dreamy old story and makes it into something new, glittering and wicked: Who doesn’t know the fairy tale of a beautiful princess pricking her finger on a spindle and falling asleep for many years, sending the castle and its inhabitants into a deep slumber, too, until a handsome prince succeeds to wake her with true love’s kiss? Neil Gaiman | The Sleeper and the Spindle She cursed the babe at birth, such that when the girl was eighteen she would prick her finger and sleep forever.” “She was one of those forest witches, driven to the margins a thousand years ago, and a bad lot.
